Buds II

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Number 2 of what could be a series – six of which I feel are almost there. I’m hanging them on the walls in my studio, waiting for them to ‘speak’ – more colour? tone down or highlight an area? add more ‘features’? Sometimes it takes weeks before a piece is silent and lets me put it on the shelf. I did the ‘base’ last summer in a flurry – I could almost call it inspiration – but it was more of finding the right colours to use. Kept looking at them but nothing moved me to start drawing. Did try though but had to erase my efforts. Colour is what I start with and with the monoprint I’m leaving it up to the unpredictability of the print to create a structure. I can now use a quote from Braque “Let us forget things and consider only the relationships between them” – in this case colours instead of “things”.

Monoprint I 2022

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A title for this piece has not yet arrived, but might turn into one in my tree series. The tree itself is one that I can see from my work space, it’s a gigantic alder growing at the edge of what was a large pond many years ago. I stopped myself going further – I have a tendency to stuff an image with too many details, now you can, if necessary, complete the image yourself.

Red Tails

Plants, Uncategorized

An abundance of plants, a snapshot with a dark border. Yet again, a monoprint, this time with water colour and then, again, coloured pencils. You might have a look at Garden, an earlier post, a bit of a series developing. And both left-leaning for some reason. It is said that the eye is more sensitive to movements coming in from the left so these two are clearly not taking advantage of this ‘flow’. Just realised that as these are monotypes where I first paint on an acrylic sheet, using my right hand, before turning upside down and pressing the painted sheet down on paper. Perhaps it is more natural for the hand/arm to move from bottom left to top right thus creating a curved movement in the work? Hmm ……

Fra Angelico

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Some time ago I was leafing through a Dutch book about Fra Angelico, printed in Antwerp 1941. (The book has a paper sticker with Boekhandel Krooneman, Jansstrasse, Arnhem. It has had quite a journey in the 70 years since it was printed and is now in a small village in Sweden.) I started noticing the fabulous fabrics hanging behind Maria and child in many of Fra Angelico’s paintings. So the pattern on the yellow background is copied from a painting (1437-1440) that is now in the St. Marcus museum.

The luxurious brocade fabrics were of course only for the wealthy and powerful in the upper echelons of society so it is appropriate that Maria with child are sitting in front of a shimmering wall of silk. I used a ‘frame’ to place plants and a planet in a similar position of importance.

Fra Angelico is a monoprint with block printing colour, watercolour and colour pencils.

Pods

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Pods 50.8 x 40 cm

So this is a landscape/animal/seed combo – not only can images be manipulated. Boundaries are being challenged – it is easy to fall into an apocalyptic mood. I have been inspired by Patricia Piccinini’s creations although I started my Fur drawings before seeing her work.