Graphites

The problem with photographing graphite on paper is that light bounces off the surface making even dark areas look grey and uninteresting. From a group of drawings entitled Being these came out the best. The one on the right though is called Icarus and is my reaction to seeing, in a documentary about free climbing, a climber fall from a great hight almost down to the ground before releasing his parachute. I honestly thought I was going to witness a death. The relief when the parachute opened was immense.

Working against

Working against 76×56

The title for this piece is taken from an interview with Ian McKeever, an artist whose work I love. It seems we both start with a layer and then, at least I, push against what whould seem to be an inevitable progression. It must not just go there, colours blazing and forms fitting in. Although of course I seek some balance, coherence and beauty and looking at it now perhaps ‘some’ is an understatement. My preoccupation with the unseen systems of warning, information and protection used by trees is one aspect of this piece, I also wanted to show that life is still going on inside them despite their loss of leaves in the winter.

Blue roots

Blue roots 96×72 cm

Came across this watercolour/drawing when looking through works that I have at home in Sweden. Although it is part of a large group of ‘fur’-like drawings I like it because its landscape qualities, combined with hints of human/animal bodies, sets it apart from other works. The pools of ‘water’, I think, are quite delicate and seeps into the fur which is undulating, maybe following an underlying mountain range.

Ferens Gallery exhibition

Flow

Flow has been selected to the Open Exhibition at the Ferens Art Gallery at Hull and will be shown from Saturday 15 February to Sunday 26 April 2020.

Technique similar to Dance On that was exhibited in Edinburgh but with watercolour instead of block printing colour as the starting point.