A title for this piece has not yet arrived, but might turn into one in my tree series. The tree itself is one that I can see from my work space, it’s a gigantic alder growing at the edge of what was a large pond many years ago. I stopped myself going further – I have a tendency to stuff an image with too many details, now you can, if necessary, complete the image yourself.
The problem with photographing graphite on paper is that light bounces off the surface making even dark areas look grey and uninteresting. From a group of drawings entitled Being these came out the best. The one on the right though is called Icarus and is my reaction to seeing, in a documentary about free climbing, a climber fall from a great hight almost down to the ground before releasing his parachute. I honestly thought I was going to witness a death. The relief when the parachute opened was immense.
Came across this watercolour/drawing when looking through works that I have at home in Sweden. Although it is part of a large group of ‘fur’-like drawings I like it because its landscape qualities, combined with hints of human/animal bodies, sets it apart from other works. The pools of ‘water’, I think, are quite delicate and seeps into the fur which is undulating, maybe following an underlying mountain range.