Despite their appearance I have some sort of landscape, or landscape/animal combo, in mind when I create my Fur drawings. A bit contradictory then, I admit, to call them Furs but that is what most viewers describe them as. They are in my mind ‘maps’ showing elevations, streams and other landscape features – obviously not urban environments – but what you might possibly find if you’re out for a stroll in an imaginary forest. The red colour is a sign of warning – what will happen if we continue behaving as an invasive species ….
The problem with photographing graphite on paper is that light bounces off the surface making even dark areas look grey and uninteresting. From a group of drawings entitled Being these came out the best. The one on the right though is called Icarus and is my reaction to seeing, in a documentary about free climbing, a climber fall from a great hight almost down to the ground before releasing his parachute. I honestly thought I was going to witness a death. The relief when the parachute opened was immense.
Came across this watercolour/drawing when looking through works that I have at home in Sweden. Although it is part of a large group of ‘fur’-like drawings I like it because its landscape qualities, combined with hints of human/animal bodies, sets it apart from other works. The pools of ‘water’, I think, are quite delicate and seeps into the fur which is undulating, maybe following an underlying mountain range.
Flow has been selected to the Open Exhibition at the Ferens Art Gallery at Hull and will be shown from Saturday 15 February to Sunday 26 April 2020.
Technique similar to Dance On that was exhibited in Edinburgh but with watercolour instead of block printing colour as the starting point.